It must have been quite a
challenge to edit the sports literature of the late, great David Halberstam. At
times, it’s a bit of a challenge simply to read it – though invariably a
rewarded effort.
Whether he’s chronicling one
of the most spectacular stretches (albeit brief) of basketball brilliance in
the history of the NBA…
Whether he’s waxing boyishly
nostalgic over the baseball heroes of his youth…
Whether he’s craftily
connecting the puzzle pieces of a lifetime so as to account for the consistent
superiority of the “best-in-the-business” pro football coach…
The “No-where” from which
Billy Ray Bates came; the evolution and devolution of Kermit Washington; the
big-city swagger of Tom Owen, an otherwise innocuous Big White Stiff in a
league full of them; the toll taken on so fragile a thing as the human foot by
the grind of big-time ball – and the consequent toll on the equally fragile
human ego.
Ah, the breaks in the
narrative make The Breaks of the Game,
you might say.
But those lengthy breaks in
the narrative create some herky-jerky “OK, now where were we?” moments.
Additionally, Halberstam’s bountiful supply of sources can create occasional
confusion regarding just whose little anecdote is being rendered at a given
point.
In a closing notation to Summer of ’49, the author observes that
any number of male friends would have been happy to conduct the interviews with
his/their boyhood heroes. However, having resisted the impulse to play Tom
Sawyer, he’s “left with the pleasure of having finished the book and, of
course, the even greater pleasure of the doing of it.”
The greatest pleasure, and
therefore the ultimate reward, is the opportunity to perform the task in the
first place.
That’s what resonates about
Halberstam’s work – each endeavor is truly a labor of love. Naturally, he
brings to the task the eye and instinct of a trained historical researcher,
indeed one of the best and brightest. Of course even the best and
brightest of us, when offering explanation or rendering a tale, reach that
uncomfortable moment of “Uh-oh, where was I going with all this?”
The cast of characters that
peoples our wide world of sports, with their super-human skills and
ever-so-human psyches, weaves a tapestry every bit as complex and intriguing as
the best of Dickens or Ludlum. It requires a sharp eye to see the
inner-workings and a unique voice to deliver the play-by-play.
With the aid of that frazzled
editor, David Halberstam was able to pull it off time and again.
I miss that voice.
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